Talents

Zhenya knows how to speak to an audience even in a 15-second spot. Started as a producer, shot documentaries, music videos, manifestos, built visual statements for brands. Loves meaningful projects and works full-cycle — from idea to final edit. Her focus is documentary style and art.

Khalil is one of those who can blend documentary rawness with big-brand aesthetics. Shoots music videos, manifestos, commercials, documentary projects. Studied at VGIK, works with social topics, charities, and major clients — from Adidas and Yandex to Pomoshch. Beyond directing, also works as a creative producer on doc projects — helping shape structure, tone, and visual language. His work is about honesty, energy, and a good eye for the frame.

Tony is a director and editor. Ten years in TV and production circles under his belt — documentaries, sports, music, commercials, corporate docs. Even in that format, he loves working with actors, complex cinematography challenges, and always feels the pulse of the story. Comfortable working with rhythm from shoot to post.

Slava came into film through street culture — camera in hand, hungry to capture real life. Also brings experience as an editor and a solid background in directing music videos. Feels the frame, the edit, and the music equally — and it shows within the first few seconds. Works in commercials and storytelling. His style is a mix of documentary rawness, cinematic flair, and precise rhythm.

Maxim values clean frames, inner stillness, geometry, and the quiet charm of things. His style is minimalism with touches of realism. Works as a DP and director — commercials, music videos, features, and shorts. Winner at Berlin Commercial and two-time Kinotavr nominee.

Roma moves from big to small: besides TV series and feature-length TV and digital projects, he also loves short forms — spots, promos, title sequences. His background in cinematography and editing shapes his approach: thinks in frames, lenses, rhythm, and sound. For Roma, storytelling is not just plot — it's visual logic, precise tempo, atmosphere. Loves minimalism, experiments with musical genres, and prefers stories built around a single object or device.

Kesha feels music and film equally. Works with music videos, comedy, post-doc, and storytelling — always looking for depth. Loves cultural codes, references, and visual homages. Graduated from Industria's cinematography department and can build a project from scratch — from idea to production. On set, loves working with kids and dreams of shooting the world of figure skating, which he also loves to practice.

Lilia shot her first video back in school and is now growing professionally in the film industry. Works in documentary, video art, and commercials. Loves abstract imagery and complex art direction. Can jump in at the creative stage and see a project through to the final cut.

Grisha started as a creative director, so he knows how advertising works from the inside. His strength is comedy spots, working with actors, and tight storytelling. Loves genre-driven ideas but always adds something unexpected. Graduate of the Moscow New Cinema School.

Nikita is a director working at the intersection of improvisation, philosophy, and humor. Years of editing experience shape his approach: he thinks in rhythm and cuts, mapping out the project's structure in advance while leaving room for the live energy of the set. With a musical background, he's especially sensitive to tempo and mood. His style can be seen in Kostya Karp's "Games" music video and the documentary "DAO — A Parable About Blockchain Technology."

Alexander is a master for whom there are no borders between genres. Works equally well in film, advertising, and TV series. "Brest Fortress," "The Other Side of the Moon," "Trotsky" — just part of his extensive background. A director who feels actors, masters form, and can tell a story in just 30 seconds.

Seryozha is a camera operator and director. By training, he is a process engineer, and he came to filmmaking through photography. He started his career as an in-house filmmaker at FOTT, shooting fashion videos, and has worked for publications such as Afisha, Esquire, Inrussia, GQ, and The Blueprint. Seryozha works at the intersection of documentary and cinematic storytelling. What attracts him most is the opportunity to explore spaces and people, observe their inner worlds, and transform feelings and emotions into images. He prefers working with young protagonists, loves music, and enjoys collaborating with artists such as Antokha MC, Gone.Fludd, and others.

Nastya basically grew up on set — her parents were against it, but she got into VGIK's cinematography program anyway. Started in commercials and fashion but always gravitated toward film. In her work, aesthetics never separate from emotion. Loves complex lighting, hands-on work, and that magic when the whole team moves as one organism. Now making her first steps into narrative film and knows exactly where she's headed.

Ilya thinks through architecture, even when he's not shooting a building. Space, form, object, and light are his tools. Works in commercials, TV series, art docs, and special projects — sometimes stepping on set as a director-cinematographer. In the frame, he strives for clarity, conciseness, and composed structure. Loves unconventional staging and product cinematography. His style sits at the intersection of documentary realism and visual design.