We shoot music where no one expects it. In a pinball museum where the fire alarm goes off in the middle of the night. On a ranch where llamas scatter across the enclosure right in the middle of a take.
We build transformable sets for each artist, flood the pavilion floor with water, and urgently find a phoniatrist when the lead singer loses his voice.
We make New Year's shows with dozens of stars, concert projects in 90s aesthetics, and arty CG videos with a "mixed crowd" effect. We don't split projects into "creative" and "production." For us, they're the same thing.